![]() ![]() A couple of other trailers were on the disc but evidently not accessible by menu. The disc opens with a trailer for The Accountant and a promo for 4K Ultra HD (a format Lights Out on which is not available). ![]() I can't think of any good reason Sandberg would refuse to let it expand its audience here, even if it remains freely available on YouTube. It is surprising and disappointing that the original short film on which this is based is not included here. The first two are short and expository, but the third is a somewhat lengthy alternate ending, in which the Diana strikes while Martin is staying at Rebecca's apartment after she is granted foster parent status. ![]() Lights Out is joined by three deleted scenes (12:55) on Blu-ray. French, Spanish, and Portuguese dubs and subtitles are offered, as are English SDH subtitles and a descriptive track for the visually impaired.īONUS FEATURES, MENUS, PACKAGING and DESIGN The 2.40:1 picture is sharp and vibrant, while the 5.1 DTS-HD master audio goes a long way to sell the scares, whether or not they succeed. The same is true of Warner's Blu-ray presentation. On a technical level, Lights Out raises no concerns. Subtitles: English for Hearing Impaired, French, Spanish, PortugueseĪlso available on DVD ($28.98 SRP) and on Amazon Instant Video Good old Richie Rich.ĥ.1 DTS-HD MA (English), Dolby Digital 5.1 (Descriptive Video Service, French, Spanish, Portuguese) The highlight for me was probably the random out-of-nowhere flashback establishing Rebecca as a '90s kid with a movie poster of Macaulay Culkin's Richie Rich on her wall. Too routine and minor to generate any feelings of disappointment, Lights Out takes its concept as far as it can, while feeling overstretched even at just 81 minutes including credits. Buoyed by seemingly overwhelming positive reviews (its deceptive 77% Rotten Tomatoes approval rating elicits a Certified Fresh sticker on the Blu-ray's shrinkwrap), Lights Out became one of the surprise hits of summer, earning its budget back many times over with grosses of $67 million domestic and $148 M worldwide. This young Edgar Ramírez doppelganger probably stands to benefit the most from this movie being seen and appreciated. As the boyfriend Rebecca is reluctant to label as such, Alexander DiPersia is the closest thing the film has to a scene stealer. It nonetheless provoked nervous laughter and some cathartic snark from the engaged crowd at my packed theatrical screening.Īm I mistaken in thinking that Maria Bello was once a respected actress? Palmer has turned 30 without making that leap to stardom, though she continues to enjoy prominent steady work. There's very little intelligence and sophistication to this, a movie that opens with a shot of a streetlight. The movie concocts as many scenarios as it can: dead lightbulbs, candles, flashlights, cell phones, black light, a fire, and, of course, a climactic power outage. How many different ways can you have light going out and Diana appearing? Lights Out unfolds as a parade of jump scares built around the notion that the dark can be terrifying. Child services frowns upon that arrangement and the relocation does not prevent that shadowy figure, who we come to know as a storied ghost named Diana, from haunting Sophie's children. Martin's older sister, independent commitment phobe Rebecca (Teresa Palmer, with an American accent that comes and goes), takes the boy out of their mother's home to crash at her child-unfriendly apartment. It is a consoling otherworldly presence for the manic depressive Sophie and the stuff of nightmares for Martin, who can't sleep at home and keeps dozing off at school to the concern and intervention of child services. Paul doesn't make it home or past the opening scene, but that shadowy figure does. But something is strange at the workplace: a shadowy figure appears when the lights are off and disappears when they come on. Paul (Billy Burke), some kind of executive at a garment company, has an hour of work left before coming home to his sick wife Sophie (Maria Bello) and their son Martin (Gabriel Bateman). The film establishes its premise quickly and effectively in a prologue that largely served as its teaser trailer. Sandberg, whose 3-minute 2013 short film of the same name is adapted by The Thing remaker and A Nightmare on Elm Street rebooter Eric Heisserer. Lights Out is the feature debut of director David F. Wan, whose second Conjuring movie generated plenty of profit over the summer despite an immodest for him $40 M price tag, is a producer on Lights Out, a horror film whose meager $5 million budget guaranteed it commercial success. But there will always be a place in his heart and his schedule for economical horror, which describes most of his films, including Saw, The budgets may be rising for James Wan, who was at the helm of Furious 7, a sequel that cost nearly $200 million to make and grossed $1.5 billion worldwide. ![]()
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